Grammy (Best New Age Album, 1999) and Golden Globe (Best Original Score, 1993) winning Japanese New Age artist Kitaro has been performing since 1975. Admittedly, I’m not very much into New Age music, so even despite Kitaro being an institution in the genre, I hadn’t really heard of him until he found out about him by accent.
I think I may have fallen down a Japanese music rabbit hole after looking into the soundtrack from Okami.
And, honestly, I’m probably still not a fan of New Age music, but at least Kitaro’s got some good pieces.
From the album Kojiki — named for the ancient Japanese mythological chronicle — Matsuri means “festival” or “holiday.” For example, the traditional Japanese to honour ancestral spirits is “Bon Matsuri” (also called “Obon” and usually just called “Bon”) and the annual doll festival and is also Japan’s Girls’ Day is “Hinamatsuri” (it literally means “Doll Festival”).
I’m not having a lot of luck finding out what, if anything, the song is actually supposed to be about. Beyond some wordless vocalising and chanting, it’s purely an instrumental.
Since it’s from an album called Kojiki, I think it might be about the attempts of the other gods to lure Amaterasu out of her cave after she got offended by Susanoo and hid herself away. Given that said attempt basically amounted to the other gods having a raucous party, I think it could be safely considered a matsuri, but I’ve found nothing to corroborate this.
Incidentally, the thing that actually got Amaterasu out of the cave was Ame-no-Uzume‘s dance, which is viewed as as the mythological origin of the Shinto kagura dance. Fittingly, since Amaterarsu is the solar deity and Ame-no-Uzume is the one who drew her out of the cave, Ame-no-Uzume is venerated as the Shinto dawn goddess.
And, well, whatever it may or may not be about, take a listen to it here:
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